我妻子和我的朋友们

 两个值守夜班的“倒霉蛋”甜点心（乔·基瑞 饰）和内奥米（乔治娜·坎贝尔 饰），意外发现了疯狂繁殖的外星寄生真菌，无福消受这顿重口加班餐的二人发出求救信号。“淡淡死感”的退休特工罗伯特（连姆·尼森 饰）被迫再就业，重新上岗拯救即将被真菌腐蚀的世界。他们一边躲避着因寄生而绿液四溅的宿主们，一边和翻涌的肠胃做斗争，在一阵阵爆浆声中大开“惊喜盲盒”。这组画风迥异的“临时战友”能否阻挡这场末日浩劫？谁又能活着走出这个惊魂之夜……

　　盖布丽（安琪拉·琼斯 Angela Jones 饰）的童年里有一段非常可怕的经历，年幼的她曾经在凶杀现场亲眼目睹死尸。这一段奇异的人生经历让盖布丽开始对尸体和死亡产生了好奇之心，这股子好奇随着她年龄的增大越发强烈起来，盖布丽甚至会特意的收藏报纸上的谋杀新闻做成剪报册，时时翻阅温习。　　迈阿密接连发生凶杀案，被害者均是养尊处优的阔太太，而且无不身首异处。这起连环杀人案件很快就吸引了盖布丽的注意，为了能够更加接近命案现场，盖布丽来到了一间专门清理命案现场的保洁公司应聘成为了员工，并且在机缘巧合之下同连环杀人犯（威廉·鲍德温 William Baldwin 饰）有了一面之缘。

　　末日丧钟再度敲响，带领观众直视人性毁灭的炼狱，感染者的威胁和幸存人类的邪恶。

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.