贝多芬小姐的启蒙

◆ 评分:8.6 播放:50万 更新:2026-05-09
主演: 未知/

剧情简介

此片曾经荣获第一届色情片影展(EroticFilmFestival)的最佳影片,被许多影评人推崇为影史上最好的色情电影。虽然主流观众争睹色情电影的热潮已经衰退,但还是有一些导演坚持继续拍摄高质量的色情电影,拉德雷梅杰(RadleyMetzger)在1975年导演的《贝多芬小姐的启蒙》(TheOpeningofMistyBeethoven)就是最好的例子。此片改编自萧伯纳的名剧「卖花女」(Pygmalion),也可以说是好莱坞电影《窈窕淑女》(MyFairLady)的色情变奏版。片中的贝多芬小姐原本是一个轻浮邋遢的街头妓女,平日都在巴黎成人戏院帮男客手淫,但当她遇到某位性学博士以后,却被改造成为气质高雅的社交圈名媛,并且在色情杂志出版商的年度盛大舞会中艳压群芳艾旦影视

在线观看高清

演员阵容主要角色

丽芬斯塔尔
保罗·托马斯·安德森
徐静蕾
彭顺
费德里科·费里尼
布努埃尔

绝世武功招式谱

◆ 独孤九剑

无招胜有招,以意驭剑,破尽天下武学

◆ 降龙十八掌

至刚至猛,掌力所及,摧枯拉朽

◆ 凌波微步

身法飘逸,闪避间如履薄冰又若御风

◆ 六脉神剑

以气为剑,六道剑气纵横无敌

人物关系图谱

丽芬斯塔尔 — 保罗·托马斯·安德森
师徒关系
丽芬斯塔尔 — 徐静蕾
情侣关系
彭顺 — 费德里科·费里尼
宿敌对立
徐静蕾 — 布努埃尔
亦敌亦友

观众点评

박노덕

现在不能100%抵扣,点券都懒得领[:a生气:]

이현숙

好多老板呢,贪婪的很。哪怕是违法的工作也想少给你钱。还不告诉你这是违法工作。就疯狂的往下压榨。

カシオ

少年歌行![:a可爱:][:a可爱:]

圣八道

种诗诗画的好怪啊,这比例反而不好看,一点不协调。

村上左知

好的也行毕竟这烧脑的故事我都不记得谁是谁了😂

にたこ

下棋,下个P,棋盘都给你掀了

변이성

你让我去替雨总吧

尹坤智

哭?哭也算时间的哦,我下星期就要见到你们被啪啪打脸还要强吃奥利给[:a狗头:]

洪班长

下周的宁元宪:天空一声巨响,寡人闪亮登场[:a狗头:]

冬至冬

贝贝们,问一下就素不健全关系充钱的话,要充多少才能看完😘😘

同类古装佳作

Y计划

人生低谷迫使两位女子偷盗数百万黄金——这是他们人生中最后一次生死攸关的冒险。                                                                        美善(Mi Seon)和道静(Do Gyeong)或许早已习惯在首尔江南区最危险的地段挣扎求生,但这并不意味着她们已经安于此地。除了彼此之外,两位好友只能拼命攒钱,想要摆脱危险的生活方式。然而,就在“退休”指日可待之际,世界却背叛了她们,粉碎了她们的希望。在绝路边缘,她们在江南区发现了一笔隐藏的财富,其中包括赃款和黄金——并将所有赌注押在了人生中最后一次豪赌上。

等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

得墨忒耳号的最后航程

  在《吸血鬼德古拉》小说原作者布莱姆·斯托克笔下的一章“船长日志”中,“得墨忒尔”是把德古拉从特兰西瓦尼亚运到伦敦的船的名字——这艘俄国帆船运送着50个没有标记的大木箱出发,而此后在英国海岸线上搁浅,破破烂烂,全船仅存一个疯癫的幸存者。本片的故事将详细聚焦得墨忒耳号的那趟可怕旅程:某神秘的乘客把船员们一个接一个屠杀。

深水

 一群从洛杉矶飞往上海的国际乘客被迫在鲨鱼出没的水域紧急迫降,他们必须齐心协力,希望能够在被残骸吸引的疯狂鲨鱼群中存活下来。

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原著与改编

原著作品 同名武侠小说
原著作者 经典武侠名家
改编类型 影视改编
忠实度 高度还原原著精髓

经典台词

「侠之大者,为国为民。」
— 丽芬斯塔尔 饰演角色
「世间万物,唯情最苦。」
— 徐静蕾 饰演角色
「刀光剑影终有尽,江湖恩怨何时了。」
— 彭顺 饰演角色
「他强由他强,清风拂山冈。」
— 保罗·托马斯·安德森 饰演角色

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