爱欲线

　　凯丽（蓓尔·保利 Bel Powley 饰）是名声大噪的天才少女，18岁便获得了哈佛大学的毕业证书。虽然每个人都觉得凯丽拥有着前途无量的未来，但对于凯丽来说，每一天她都生活在郁闷和沮丧之中。凯丽的母亲自幼就离开了她，如今，相依为命的父亲派尔必（加布里埃尔·伯恩 Gabriel Byrne 饰）竟然也决定组建新的家庭。　　察觉到了凯丽的彷徨，父亲将名为佩特罗夫（内森·连恩 Nathan Lane 饰）的心理医生介绍给了凯丽，佩特罗夫给了凯丽一份清单，上面罗列着六项任务，佩特罗夫向凯丽保证，只要她完成了这两项任务，就能够重新找回快乐，一切真的如他所说的那么简单吗？

Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. 　　However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. 　　Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 　　源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster

　　1993 年，发生了可怕的事件：一个神秘的儿童节目主持人克罗克特先生神奇地从电视机中出现，绑架了年幼的孩子杀害了其父母。而在克罗克特先生绑架了女主的儿子之后，女主开始了危险的追寻之旅，她要找到这个恶魔，救出她的儿子。