愉虐诱惑

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椎奈しな

再更新一章吧

日轮早夜

这么久才更新,下次又是啥时候呢?

伏夜俄

这话想起某人想喝寡姐的洗澡水[:a滑稽:]

三白糸

为什么不更新

柏木真

现在吼妻这么厉害,以后就得跪着求妻[:a笑哭:][:a笑哭:][:a笑哭:]

村崎翠

居然是限时不限量的可惜我现在才看

豆腐渣

欢迎收看岁月是把杀猪刀系列

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送葬人2023

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鲁妮·玛拉,朱迪思·爱薇,艾米丽·米切尔,凯特·哈莱特,丽芙·麦克尼尔,克莱尔·芙伊,希拉·麦卡锡,杰西·巴克利,米歇尔·麦克劳德,基拉·古洛安,莎伊拉·布朗,弗兰西斯·麦克多蒙德,薇薇安·安迪克特·道格拉斯,本·卫肖,奥古斯特·温特,洛克兰·雷·米勒,纳撒尼尔·麦克帕兰德,威尔·宝,伊里·哈姆,艾米丽·德雷克,马库斯·克雷格,卡罗琳·吉利斯

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系列作品时间线

第一章 金属之声

 一个摇滚乐队的鼓手(里兹·阿迈德)突然发现自己失聪,他的乐队搭档露(奥利维亚·库克)和他都很懊恼,但又不得不面对这残酷的现实。影片去年在多伦多电影节首映,作为导演处女作获得媒体好评。

第二章 等待方舟

  Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.  Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?  n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.  What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.  On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.  One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.  Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

第三章 凶兆前传

  一名年轻美国女子被派往罗马、展开服侍教会的人生,却接触到了令她质疑信仰的黑暗力量,并揭露恶魔转世的可怕阴谋。

第四章 国家韦恩:念旧

国家韦恩最新单口喜剧专场。